Telegraph UK
Revealing for the first time today how the commercial relationship works between the streaming service and the record labels, Rob Wells, the senior vice-president Digital for Universal Music Group International, declared Spotify a very sustainable financial model which was paying out well to the record labels which it has entered into licensing deals with.
Mr Wells disclosed that Spotify is paying Universal Music Group a royalty per stream in only two of its territories: the UK and Spain.
Mr Wells disclosed that Spotify is paying Universal Music Group a royalty per stream in only two of its territories: the UK and Spain.
In its other four territories: Sweden, Norway, Finland and France, Spotify pays the record labels from the money generated by subscriptions and advertising and not on a per stream basis.
“In all its territories bar two, Spotify pays the labels from a mixture of the money it generates from advertising revenues and subscriptions. That to me equates to a sustainable business model,” he said.
According to Mr Wells Spotify only needs to convert approximately 10 to 12 per cent of its user base in any one territory into having subscriptions in order to make enough money to pay the record labels in this way.
Mr Wells said it was “lagging behind” in the UK and Spain because of the extremely high quantity of people using the service for free – meaning it was a more difficult task to convert 10 per cent of a much larger number into subscribers. Spotify has recently re-turned on the ‘invite only’ mechanism in the UK to limit the amount of users on the site.
No official figures have been released to show how many people pay £9.99 a month to subscribe to Spotify’s premium service in the UK, which offers an advert free experience. However, it is still thought to be a low number.
Mr Wells also divulged that Spotify was Universal Music Group International’s (which covers all territories bar America, Canada and Mexico) fourth largest digital partner last year in terms of the amount of revenue it generated for the company. He would not make it known which companies were the top three highest earning digital partners but according to several music industry sources, Apple’s iTunes and Google’s YouTube are thought to feature in the top two.
Up until now, there has only been speculation as to how the financial arrangements work between Spotify and the labels. It was a badly kept secret since the music service launched that not only do the major music labels have equity in Spotify, but so do the major independent labels. However, there are still no details as to how those equity deals were reached – whether the labels invested money or agreed to waive certain royalty fees until the company were in a position to pay out revenues from subscription and advertising.
It has been predicted by senior figures in the music industry that if Spotify continues to keep growing at its same pace, it will be a really significant new revenue stream for the music industry by February 2010, as disclosed by The Telegraph last August.
Currently the largest digital income record labels receive in the UK is from the sale of tracks and albums via iTunes. However, Spotify has already taken over iTunes, in terms of revenue levels, in its native Sweden. Per Sundin, head of Universal Music Group in Sweden, told The Swedish Wire last year: “In five months from the launch Spotify became our largest digital source of income and so passed by iTunes.”
The service is expected to make its US debut in the first half of this year.
Spotify was unavailable for comment.
“In all its territories bar two, Spotify pays the labels from a mixture of the money it generates from advertising revenues and subscriptions. That to me equates to a sustainable business model,” he said.
According to Mr Wells Spotify only needs to convert approximately 10 to 12 per cent of its user base in any one territory into having subscriptions in order to make enough money to pay the record labels in this way.
Mr Wells said it was “lagging behind” in the UK and Spain because of the extremely high quantity of people using the service for free – meaning it was a more difficult task to convert 10 per cent of a much larger number into subscribers. Spotify has recently re-turned on the ‘invite only’ mechanism in the UK to limit the amount of users on the site.
No official figures have been released to show how many people pay £9.99 a month to subscribe to Spotify’s premium service in the UK, which offers an advert free experience. However, it is still thought to be a low number.
Mr Wells also divulged that Spotify was Universal Music Group International’s (which covers all territories bar America, Canada and Mexico) fourth largest digital partner last year in terms of the amount of revenue it generated for the company. He would not make it known which companies were the top three highest earning digital partners but according to several music industry sources, Apple’s iTunes and Google’s YouTube are thought to feature in the top two.
Up until now, there has only been speculation as to how the financial arrangements work between Spotify and the labels. It was a badly kept secret since the music service launched that not only do the major music labels have equity in Spotify, but so do the major independent labels. However, there are still no details as to how those equity deals were reached – whether the labels invested money or agreed to waive certain royalty fees until the company were in a position to pay out revenues from subscription and advertising.
It has been predicted by senior figures in the music industry that if Spotify continues to keep growing at its same pace, it will be a really significant new revenue stream for the music industry by February 2010, as disclosed by The Telegraph last August.
Currently the largest digital income record labels receive in the UK is from the sale of tracks and albums via iTunes. However, Spotify has already taken over iTunes, in terms of revenue levels, in its native Sweden. Per Sundin, head of Universal Music Group in Sweden, told The Swedish Wire last year: “In five months from the launch Spotify became our largest digital source of income and so passed by iTunes.”
The service is expected to make its US debut in the first half of this year.
Spotify was unavailable for comment.
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